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Palacio O'Farrill

Hotels - Palacio O'Farrill

About  Palacio O'Farrill

The Hotel Palacio O’Farrill is a terrifically grand neoclassical mansion standing on the corner of Cuba & Chacon Streets near the port of Havana. Its owner, Don Ricardo O’Farrill y O’Daly, made his fortune in the slave trade, & owned several large sugar mills. The entrance hall of his house is almost ludicrously impressive, with a toweringly high ceiling, & vast iron-studded polished mahogany doors. Also not to be missed, are two small but elegant black marble seats in the hallway or the idiosyncratically double-scrolled archway leading into the courtyard.

The general aesthetic of the O’Farrill is Cuban colonial; Hibernian it is not, but as if to rectify the situation the colour green has been applied with a liberal hand throughout the establishment. On occasion enthusiasm for the Emerald Isle seems to run amuck, such as in the stinging viridian in the stained glass fanlights & the startling lime-green walls of the sitting rooms in the suites.

The faces of visitors drinking pre-lunch cocktails in the courtyard also acquire an interesting hue from the greenish tinge of the canopy which shades them from the sun. However the restaurant and snack bar break with the chromatic norm, & the latter, decorated in mahogany with terracotta furnishings, proves welcomingly cool relief after a morning of sightseeing in what can sometimes feel like the blast furnace, albeit the very picturesque one, of Old Havana.

A particularly attractive feature of the Palacio O'Farrill building is the way in which the mahogany detailing has been left unpainted, being simply varnished to show the beauty of the wood. Throughout the building there are pieces of good old Cuban furniture as well as numerous reproductions, but the latter are so well made in exact imitation of traditional pieces that the overall impression is one of pleasing visual harmony.

 

San Ignacio y Empedrado, Habana Vieja

The Cathedral Of Havana

The Cathedral of Havana is an iconic work of what is known as Cuban Baroque and the most remarkable of our colonial churches. The glorious baroque facade and asymmetrical bell-towers of the late 18th-century cathedral are the square’s top attraction. Its interior is surprisingly plain, but it once held the remains­ of Christopher Columbus. Religious services are held here. It has been declared a National Monument.

Trocadero e/ Zulueta y Monserrate, Habana

National Museum of Fine Arts

The National Museum of Fine Arts houses Cuba's most important art collections, as well as paintings dating from the 18th to the 21st century and ancient art. The exhibition areas treasure collections of Cuban and European painting, which harmonize with works of art of ancient Greece, Egypt, and Rome. Its valuable assets are divided into two buildings: Cuban Art, just a short walk from the Museum of the Revolution, and Universal Art, in the magnificent building that was once occupied by the Asturian Centre, opposite the Central Park.

Tacon e/ Obispo y O'Relly, Habana Vieja

Arms Square

Plaza de Armas surrounds a statue of the patriot Céspedes and is ringed by shaded marble benches and second-hand bookstalls. This square, founding in 1519, was the city's first open space, around which the most important political, military, religious and civil institutions were located. The palaces that surrounded it during the 18th century are worthy exponents of Cuban Baroque architecture. On the square’s eastern side a small neoclassical temple, El Templete, marks the spot where the first Catholic mass was celebrated in 1519. Next door is one of the city’s most luxurious hotels, Hotel Santa Isabel. To the north, the squat but angular and moated Castillo de la Real Fuerza (Fort of the Royal Forces) is one of the oldest forts in the Americas.  

Fortaleza de San Carlos de La Cabaña, Carretera de La Cabana, Habana del Este

The Cannon Blast Ceremony

The Cannon Blast ceremony (El Cañonazo de las Nueve) is one of the oldest and attractive traditions of Havana. In colonial days, the shots signalled the closing of the gates of the walled city and the rising of the chain across the entrance to the harbour. The tradition of firing a cannon every night at 9:00 pm was kept even after the wall was torn down and is still used for checking your watch.

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